Posts Tagged corporate video

Features That Make An Infomercial Sell

As the term implies an infomercial is a type of corporate video that is somewhere in between an informative news documentary and a commercial. Typically, infomercials attract attention by using a news interview format. The video may include a “newscaster,” a backup person he is playing against and an on the scene interview to make the commercial seem even more news documentary like.

Most infomercials run at least 5 minutes or more and usually at some point will post a toll free call in number where people can purchase the product being featured. A significant difference between infomercials and commercials is that infomercials go for the direct sale whereas commercials are trying to push up sales at retail outlets that carry the featured product. A significant difference between infomercials and news casting is that infomercials won’t be presenting any negative information about the product, whereas news documentaries are usually likely to present both positives and negatives of any product that they are describing in the news cast.

1 1/2 minutes, the length of the Hawaiian Chair Infomercial is shorter than usual, however, the video uses many selling techniques which are seen in this genre, and therefore is a good example of this type of corporate video. The Hawaii Chair Infomercial is selling the Hawaii chair. What features does this short infomercial like video have that are worth remembering.

One of the important features of this video, which is an effective component of almost all successful infomercials is an atmosphere that excites the viewer. The “newscaster” is dressed in an attractive short sleeve Hawaiian style shirt. As the video opens gentle strums of Hawaiian music play in the background. As he speaks, narrator is flanked by two attractive young women who are using Hawaiian chairs. The electrically drive chairs constantly move in a circular fashion so that a person sitting on one looks a bit like he or she is dancing the Hula.

In addition to the actors on scene, the backdrop of the studio set is a mural of the Pacific Ocean, so we have the feel , at least, that the studio overlooks the Pacific Ocean in Hawaii. .

The video then shifts to Aaron Lee who introduces herself as a correspondent with “Perfect USA.” Aaron is seated in a Hawaiian Chair, across the table from a well dressed executive. Before they have a chanace to talk, the scene shifts to an office where several employees, whoa re sitting in HAwaiian chairs, describe the experience in glowing terms, for the viewers. They all love it. Then we see some more shots of employees while Aaron talks, and subsequently we see a 4 square collage of people sitting in Hawaii Chairs and then
one final shot of an elderly person sitting in a chair.

As the infomercial drawas towards the close, Hawaiian music plays in the background, and the lyrics tell us that “If you can sit, you can get fit?the Hawaiian chair! Finally the video shifts back to the initial correspondent who thanks Aaron Lee for her report.

The essential strategy of the infomercial is to seem as realistic as possible, while at the same time presenting positive information about the featured product.Added to that is an on screen air of excitement, which attracts viewers, as well. This video did just that by presenting an openining scene with a newscaster in a broadcasting studio flanked by two models. When the video shifts to the on scene correspondent, the shot is enhanced by having her sitting across from a dignified well clad executive. Even though he doesn’t speak in the corporate video, his presence creates the sense of the video’s importance.

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How A Video’s Goal Determines It’s Content And Structure

Fenster Academy is a college prep academy located on a beautiful 150 acre campus in the hills of Arizona. Each year the school recruits students from as many as 40 states, as well as other countries. To enhance their recruitment efforts, the private academy has a website and two videos.

In the first video, the Fenster Corporate video the headmaster functions as an on and off screen narrator, and the story line consists of a thorough presentation of the principles and methods of Fenster, along with a presentation of their track record of getting over 90% of their students into colleges. In the second video, which contains many of the same video clips as the first one, the focus is on students and teachers describing their experience at Fenster. While the first video is described as a “corporate video,” the second isn’t.

If we were to place the two videos on a continuum from documentary i.e. a thorough presentation of the topic at hand to impressionistic, i.e. a video which seeks to present the atmosphere or spirit of a place rather than its factual description, then the first video would be considered documentary and the second impressionistic.

Significantly, the first video, which is a documentary type, has received 733 views, while the second video has only received 46. Presumably parents considering sending their children to Fenster are directed to watch the first video, whereas the second video is a backup video for children who are on the fence about attending and want to hear what students say their experiences there.

One interesting difference between the two videos is the choice of background music. The first video, the documentary uses background music that is slightly more domineering than typical easy listening music. It has a progressive beat, along with a flute or wind instrument, which caries a solo melody that rises above the beat, carried by the strings. The music suggests the impression the headmaster is conveying of a dynamic educational process that turns prep students into successful college applicants.

The background music for the second video is more rollicking and fun. It has a pleasant of pleasant rhythmic melody, of the type found in many popular guitar music.

The selection and content of the second video suggests it is targeted to potential students of the academy. Student statements, included in the video are designed to allay fears about their being away from home, and not doing well at the school.

The contrasting style of scene composition between the two videos is also very noticeable. The content of the first video is presented in an orderly fashion, with the headmaster presenting a hthroough presentation of the schools modus Vivendi, its methods its goals and accomplishments. The narration is illustrated by scenes of classes, students and teachers. In the second video, scenes are put together like the composition of an abstract or impressionistic painting. Careful attention has been given to nhow viewers will respond to this video on an emotional level. For example, in the opening scene a student says “It’s a little hard being away from your family, but mostly you make friends and it?s a really good social atmosphere.” Another student notes, “I like how you meet people from all over the world, I like the small class sizes,” “It’s pretty much impossible to fail here.” “But the thing I like most is actually the ability to study and accomplish my goals in school.” And yet another student adds, “I’ve never had straight “A’s but I’ve had straight A’s here.” At the end we see a happy scene of the graduation. The second video clearly targets specific concerns and fears of potential students, and attempts to address and alleviate them.

One point worthy of consideration is why the school presented themselves in an imagistic way to prospective students and as a documentary to prospective parents. Probably, because the school felt that students, who have not yet reached full intellectual maturity, will be responding to the decision to attend on more of an emotional level, whereas parents who must take into account, all of the intellectual decisions before deciding whether or not to send their kids, will be most likely to respond to the first video, which addresses the audience intellectually. When the parents subsequently turn to their kids and say, “We’ll do you want to attend the Fenster academy?” The child is likely to have the types of fears, questions and concerns that can be better addressed by the second video.

What do these two videos teach us about the production of a corporate video? Companies planning a corporate video need to plan out the goals of their video, and decide if they will be better achieved through a more corporate video or more imagistic and impressionistic corporate video.

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Creating An Attractive Intro To Your Corporate Video

The Nakheel 2006 Corporate Video attracts viewers with a power and unique intro. After a short motion graphic in which vertical panels colored in multiple shades of blue, break apart horizontally, some iof the more unique company projects appear on the screen.The video offers aerial views of iconic skyscrapers the company has built in Dubai. Next, Palm Jumeirah, the company’s unique seaside island creation appears before the viewers.

With large assets, ingenious companies in Dubai are able to develop unique projects on a grand scale, never before dreamed of. Unique projects translate into unique visual material. And neunique content appearing on the screen of a corporate or tradeshow video translates into attraction.

A business wishign to create a corporate video that attracts viewers needs to successfully identify their company’s unique content. The Nakheel company chose a project that has a look and scale that has led them to term it the “eight wonder of the world.” Between 2001 and 2006, the large middle east development company created a city in the Persian gulf shaped like the fronds of a palm tree connected to the coastlinie by a trunk like main highway. The community is surrounded by a crescent shaped breakfront. The island contains luxury hotels and quality beach front homes. Many consisting of various shaped sea front homes, from homes sitting on solid sea walls to wooden structures on stilts that jut into the gulf waters.

Palm Jumeirah exhibits a creative answer to one of Dubais’s challenges for sea side development. As part of the United Arab Emirates, one of the world’s richest countries, the country’s economic assets greatly outstrip their relatively small coastline; how can they provide sufficient avenues for coastal real estate investment? The answer, create a unique complex coastline, which literally rises out of the sea.

The unique concept and grand execution shaped a coastal city unlike any ever seen before and thereby created unique viewing. Nakheel took advantage of this fact and featured the palm shaped city throughout much of the presentation.

The videographers have not created a documentary of the citiy’s topography. Rather they have presented the material in a manor that teases viewers. As the video progresses and moves from scene to scene, viewers can’t see enough of the unusual architecture to satisfy them so they keep looking. On the other hand, the video doesn’t jump too rapidly so as to dazzle viewers or make them dizzy, rather it attempts to allure them.

Once it has successfully grabbed web surfers’ attention, the video displays other significant visual features of the community. Footage displays interiors of the modern gulf front houses, interspersed with views of the gulf at sunset, oil refining companies, and rising “iconic” buildings, modern gulf side hotels and shopping areas that grace the island.

The unique shape of the city is enhances by motion graphics and at frequent intervals the city appears as an online graphic design. Often the graphic changes back into a realistic view of the city. The videographers thereby seek to transform the design of the city into an architectural icon, “a city rising out of the sea.”

The intro of the video and follow-up succeed in one important job of a corporate video to attract and entertain viewers with interesting visual material that will inspire them to watch the entire video. This permits the company to present the information and or visual material it wants to impart to customers.

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When A Corporate Video Marks And Meets An Important Challenge

Corporate videos don’t just happen. Corporate videos arise when there is a need that must be fulfilled. The more clearly the need is identified the more clearly it can be addressed by the video. A not uncommon challenge for established corporations, one that is frequently met with a corporate video, is the need to inform shareholders and the public that the corporation is responding properly to a drastic change in the market the company sells in. When the market change is extreme, the video has to be extreme in reassuring the public that the company is readjusting. The Kodak Winds of Change Video is an example of a video that addresses this very situation.

It is hard to imagine a company being forced to grapple with a more drastic market change than when Kodak, the leader in traditional photography, had to face the digital camera revolution. Kodak made a video responding to this revolution in photography, and it was as extreme in format, as the market change was great. After seeing it, no can say that Kodak sat back and did nothing to address fears among their shareholders that Kodak would be severely affected by this great technological change in their field.

The Kodak “Winds of Change Video,” in a powerfully unique way tells the shareholders and public that Kodak is making a strong response to digital photography and is already creating imaginative and ingenious technology, which represents significant contributions by Kodak to digital photography. The video underscores this point by presenting the old and new Kodak in the video.

The video begins with a scene one might expect from an established company with a history of excellence. A dignified spokesman addresses the audience in an ornate classical theater setting. He describes the illustrious 100 year history of Kodak. Classic examples of Kodak pictures of children and family gatherings flash in the background, while pleasant elevator music, conducive to the scene, plays in the video sound track.

Suddenly as viewers begin to shift nervously in their chair, thinking that Kodak is living on their laurels, the mood changes. “Yep,” says the narrator, “they shoveled on the smaltz pretty thick.” “But,” he adds. “that kind of crap doesn’t work any more.” Then in a very worldly wise fashion the spokesman begins to talk about the digital photography revolution. He informs us that “Kodak is back and is “taking this digital thing to a level unheard of.”

The video continues, and as it does the narrator addresses each and every question or concern the public might have about Kodak’s response to digital photography. The spokesman admits that there was an initial hesitation on Kodak’s part. However, once it became clear that digital was the wave of the future Kodak jumped in feet first. The narrator then lists some of the new digital features that Kodak is developing in their laboratories; photography that meets “meta-knowledge.”

The narrator paints a picture of the home photography show of the future. With technology being developed right now in Kodak labs, it will be possible to arrange photos and present them in a show along with digitally arranged background music, and even video clips which enhance the show. Then he describes how the old well loved look of Kodak, the shots of babies families and grandmas will come back in a new form within the digital media.

When the video is over, we are convinced, albeit in an unconventional way, that Kodak is not just a bunch of stuffed shirt faddy daddies, but that they have managed to mobilize their corporate resources to become part of the world of computerized photography.

The take home lesson from this video is to name and identify the challenge and task of the corporate video and meet it fully .

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Learning About Corporate Videos From A Parody On Corporate Videos

Sometimes a parody about something gives us important perspective on that thing. The Corporate Video 1, which is a parody on corporate videos, in general, provides insights into elements that actually make up a real corporate video.

In the opening scene the video flashes the title of the video, “Convincing Sarah and the Comedy Team to Launch Blackstar.” This is an unusual title, however, it points out an important point, every corporate video should have a clearly defined reason for being created.

we see a bright blue background, with words sequentially flashing on the screen. We see the words “compelling,” “daring.” cutting edge.”

The video than flashes two words that would not be found in corporate videos. “Telekinetic,” and “blessed,” are clearly words that rarely appear in corporate videos. Telekinesis implies a supernatural process, and corporate videos are committed to showing the successes achieved by companies through hard natural effort. Blessed is another word, which rarely if ever appearing in a corporate video. Again the emphasis in corporate videos is on results obtained by hard work, and success that results from wise corporate leadership, and proper application.

After flashing the five words, the screen explodes, to effect a transition. This is a common motion graphic employed in corporate videos. The video continues. The narrator says, here at Blackstar we are committed to producing a product that produces results. This redundancy in this line, meant as a parody, nevertheless points out the important focus on the product produced by the corporation sponsoring the video.
Next one of the narrators says, ” We integrate dynamic e-business, we cross platform web readiness, We recontextualize customized channels,” These are clearly made up jargon phrases, however their inclusion in the parody reminds us that corporate videos which demonstrate mastery and effective use of the technical terms employed in that industry, are more credible.

The narrator then asks “And what does that leave you with?” Something that people can trust.” In the context of the nonsense phrases that proceeded it, the statement is parody, however it hints at the fact that corporate videos which capably employ the technical terms found in the company industry, will likely win more viewer trust.

The word “trust,” then appears in a title caption. Words like trust, and the above mentioned words, “daring, “compelling,” “and “cutting edge,” often appear in corporate video narration and captions.. If they tend to be overused, it is because they are effective words. Corporate scriptwriters are challenged to find new words like these, which are not yet overused.

“Putting Blackstar in your company line-up is like? The” putting, (us) , “in your company line-up,” is not often literally spoken out, however, it is an important question implicitly addressed in most corporate videos.

Then the on screen narrator says, “Today we are here to tell you why Blackstar is right for you. This is another central question, which all corporate videos address either directly or implicitly.” The narrator then adds in a jesting fashion, But don’t take it from me, read this title card.” And the title card says “Blackstar is right for you.” While meant as a joke, in fact every producer of a corporate video has to consider when to present words of the narrator as a caption. A message presented to two senses instead of one is more effective. The next title card reads “Brand building,” And the narrator adds, “With our innovative marketing team, Blackstar will be a household name within days.” This is a line which is clearly out of place in a corporate video, because corporate videos present solid realities of corporate success, and descriptions of solid corporate products for the future, but not empty predictions of success. “Innovative marketing team,” is a frequently used term, yet still well accepted in corporate videos, assuming it accurately describes the marketing team.”

Then the narrator says “If you don’t believe me,” just take a look at these other great brands, pogo ball, pog, blood sack,” [sipn]This is a spoof segment. Nevertheless, many corporate videos do introduce models of other company’s success, to boost the presentation of their own product. |This is a spoof line , but it points out a practice which some videos resort to , namely touting their company by association with some other great company. [/spin]This technique can sometimes work, but it is also a dangerous practice when employed in a corporate video, as it will end up subtracting from the company’s efforts to create its own corporate identity.

The screen than shows the made up word “Profabilitations.” The narrator asks “How is your company going to benefit from Blackstar?” [sipn]A simplified line graph, illustrates how the viewer’s company profit will rist in time, once he begins employing the Blackstar product. |The screen shows a line graph which rises. [/spin] While meant as a parody, still, a central question every viewer of a corporate video asks himself, is “What will this company do for my company’s profit margin?”

Next the screen flashes the caption “Community Involvement.” The video notes that Blackstar was a proud sponsor of the Balloon Race 2007. We then see a strange little contraption with two small balloons attached to it racing in a bathtub. While this is meant as a parody, nevertheless, ancillary facts about a corporation such as community involvement are common additions to a corporate video. As the parody points out these ancillary facts, should be significant additions and not trivial facts thrown in to bolster the video.
Then the video asks if robots can grow hair. We see a robot with hair on its head. The narrator answers “No,” and the hair blows away. This ridiculous segment is actually interesting, because it is novel, and because it begins with a question. Novel material, included in a corporate video, can sometimes be effective in stimulating viewer interest.

In the last scene, the narrator asks “Convinced yet? If not, watch this.” Then we see a seal doing sit ups in a weight room. This humorous scene reminds us that frequently, corporate videos will throw in something totally unrelated to their company, just to attract attention, and relate back to the company by association. As seen in the parody, this technique can go too far, as overreliance on this technique would suggest the corporation doesn’t believe in itself and has to bolster its reputation via association.

So to cull from this video essential elements worth including in a serious corporate video, a serious corporate video should include, but not necessarily be limited to: a clearly delineated reason for being created, dynamic titles including catch word phrases, appropriate use of motion graphics, emphasis on the company’s product, efficient mastery and use of technical words related to the company’s industry, good sense of when the narrator’s statements should be emphasized by captions, avoiding empty promises of future success, which are not tied to concrete company projects being initiated or planned for the future, caution when touting the company by reference to other unrelated products or companies, occasional creative and careful use of an interesting novel segment related to the company, which can enhance viewer interest, very cautious use of totally unrelated phenomena, such as a seal doing sit ups, to capture the audience’s attention. Finally, a corporate video should provide serious answers to the following questions, “Why should a viewer employ the product?” Why is the corporate product or service right for the viewer?” “In dollars and cents, how is the viewer’s company going to benefit from the company product or service?”

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What Happens When The Style And Message Of A Media Come Together

The Next Wave corporate video found at http://www.youtube.com/watch?v=8LV9eiN5zSQ is a, textbook style corporate video, notable for its well executed consistency. The video excels in its alignment of style with message, and reminds us once again that not only the content, but the way in which the content of a video is presented, help to determine the take home impression. While the video presents the major accomplishments and innovations of the company in the last years. And while the video presents impressive statistics, and exciting names of company customers and products, the message of this video, that the company is an ongoing thriving enterprise, with reason for solid optimism is actually conveyed via the style of the media presentation.

The most obvious component of this video’s style is the heavy metal instrumental solo which plays throughout the video and lends to it a sense of intense activity, and industry. The words of the narrator, who emotes a feeling commitment to and pride in the company’s accomplishments, also provide unity to the presentation.

While the motion graphics are not extraordinary, they are consistent, and, like the music, present a stylistic unity, which makes for easy viewing. What is notable about the motion graphics is the use of variations in stylistic presentation and design of the captions. Captions appear throughout the video especially in support of the narration. However the captions consistently vary in color, in direction of entrance and exit and in size. Frequently multiple patterns of text words move in the opposite direction of the main caption; and serve as a type of textural background for the main caption.

The moving captions and continual rhythm of the musical background convey the intense activity of Next Wave, a leader in wireless communication. The ever changing form of the text, alternating with occasional split screens and occasional muted graphics, tell the viewer, much more powerfully than the words do that Next Wave is constantly moving, constantly adapting to the rapid paced world of wireless technology.

The vibrant pattern changes seen in the moving text, awakens in the viewer the belief that the company that made this video is also capable of the continual creative product development and product introduction that the words of the video say they are capable of acheiving.

For those viewers who need verbal reassurance that all is right with Next Wave, the narration and captions provide all the assurances all the statistics and good news even the most critical viewer will need to assure him that the present and future is rosy for Next Wave, and they are indeed leaders in the wireless technology revolution.

The lesson this corporate video teaches is that great potential power that can be unleashed when the style of the media presentation effectively lines up with the content of the text.

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Incorporating Beautiful Imagery Into A Corporate Video

Beauty is one of the important elements, which needs to be incorporated into a corporate video. Beauty is a quality which imbues an object with attractiveness. In the same way as viewers are attracted to unique content, viewers are also attracted to beautiful content. Finding beautiful content to present to the public is a unique challenge for every industry, because each industry has beauty in a different form. Locating the beauty and presenting it, will greatly enhance the appeal of a corporate video to the public.

Finding that which is beautiful in a given industry is a unique challenge for every company making a corporate video. The source of the beauty is not always so obvious.In a company, which provides large above ground containers for volatile fuel, for example, a photo of the production plant with row after row of these large steely containers sitting in a lot waiting to be delivered has beauty in symmetry. A video made for an environmental group, has a much more obvious source of beauty, and it will serve to prove my point.

The environmental corporate video by Edward Wallace can be found at http://vimeo.com/3217927 . The Canadian environmental protection organization that produced this video has a very conspicuous source of beauty. It is important to point out, this corporate video has not merely thrown beautiful scenes into the video, to attract attention. The beauty of untrammeled nature relates directly to the purpose of their organization, which is to preserve these wild pristine places. This is essential. The video is not merely throwing in beautiful images to attract views so that it can then deliver the message. Rather, in a very real sense, the beauty is the message. In that sense, and in this usage the video illustrates the famous poetic adage that “Beauty is Truth and Truth is Beauty.”

The incorporation of beauty into a corporate video, may not always be done so appropriately. For example, if a mountain climber reaches the summit of a tall mountain, and a video captures exquisite footage of a snow capped mountain summit, a breath-taking panorama and the perilous drop below, there is certainly beauty within the segment. However, that beauty is not intrinsically related to the wrist watch which has continued to tick despite the rugged trek to the mountain peak. The sturdiness of the watch, in fact, is one of its minor feature compared to the beautiful intricacy of its dials, wheels and or digital circuitry, which never miss a beat and keep accurate time for years.

In the wrist watch video, we see that the primary beauty of the mountain summit has been transferred to the primary object of the video, the watch, even though it is not beauty that intrinsically belongs to the watch. Such a tactic can work at times, but it can also backfire as the viewer is secretly thinking, “You mean you have nothing intrinsically beautiful about your product to show me?”

On the other hand, when the featured beauty and the message of the video line up together, as we see in the environmental video, then the beauty and message work to strengthen each other and enhance the effectiveness of the video. The beautiful imagery, furthermore, imbues the video with a certain degree of sincerity and even passion. People watching the images of the environmental are moved to want to save the environment as they see the morning sunlight glistening through the trees, and here birds singing their morning songs and watch as a herd of elks standing shyly in a broad shallow creek, turn to look, with mild concern, at the humans filming them from a distance.

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The 4Ward Corporate Video.

4Ward is a Canadian company specializing in branding, web video production and photography. Their 2008 corporate video is posted on the web. The video features background music consisting of the full sound track of the song “Here it Goes Again,” by OK.

The song is an exciting song, which won real prominence because of the incredible viral video made to the tune of that song. The video features the band members performing an incredible walk dance on a series of treadmills in a gymnasium. The treadmills are lined up in two rows and set to run in alternating directions. As the band members walk/dance from treadmill to treadmill, to the tune of the music, they create some incredible visual effects. The visual effects illustrate the theme of the song as well. In the song, the protagonist is always getting in the groove and in the mood, with a girl, apparently, when something outside of his control occurs. Treadmills, like life, never stop moving and make it impossible to merely stand still. In that regard they illustrate the theme of the song that something always seems to happens when life is going along great.

The choice of Here it Goes Again, as background music for their corporate video apparently reflects the company’s esprit de corp. Videography manufacturing is a fast paced business. Just when one project is under control, the phone rings and another project comes along. The pace never stops and people working in videography on online marketing are constantly busy, but constantly loving it.

Both the theme of faced paced activity and at the same time adaptability and ability to go along with the flow are expressed in the video background song. While the song laments the fact that
something always goes out of control, just when things are going great, the song response is an dutiful and upbeat accpetance, “Oh well, here we go again.”

The visual display is collage style, with lots of images, many related to computers and communication, coming and going in multiple simultaneous frames. The work held together stylistically and is loosely held together by occasional captions. The captions tell us the company has 40 branches throughout Canada.

If the videographers gave thought to audience they are trying to target, I would assume they targeted people like their successful clients and especially clients with whom they have a good ongoing relationship, people like themselves, people who are comfortable in a rapid environment of computers, videos, photography, design and online advertising. As a corporate video the work shows off the ability of the company to create motion graphics. The captions note that the company makes flash, 3D animation, print design, package design and web design.

People who are familiar with the images used in the musical collage will probably relate to this video the best. Much of the material presents products of desktop publishing, including photographs, text designs and online arragnements. Other segments present clips of videos made for important clients such as Yamaha.

As a viewer, if asked how the company could better the production of their corporate video for future years, I would suggest using a song that is slightly less domineering. It is a tune that is so popular on You Tube, that anyone hearing it immediately wants to see the viral video that goes with it. The meaning of the song appears to express the pace of life of the industry, and that is captivating and amusing. On the other hand, I would want the video to focus a bit more on the storyline itself. I would want to see a bit more coherence and correspondence between the images and the script. However, it is worthy of note that the video has been popular, as corporate videos on You Tube go, with over 25,000 views. And that’s a lot more views than many very coherent looking corporate branding videos get.

One must concede that this video has presented a successful branding image of the company, based on the song and the content of the video collage. This helps to defend the company’s assertion that they are specialists in branding.These are people who know how to live and breathe in the fast paced Internet video and web marketing environment. And in the computer world, we tend to trust faced paced people. People who can make it have fun from 4 until 10, as the song describes, and then shrug off a sudden unexpected event, which ends the good time, and then go with the flow, are the kind of people we know we can trust with a marketing project.

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How Not To Make A Video Boring.

The University of Kibangsaan Malaysia produced their latest corporate video, which is published on You Tube. The video emphasizes the work the University is doing to teach western topics in the native Malyasian language, so presumably the decision to create a corporate video in English is based on the desire to target wealthy Malaysians living in the west, who will potentially support the Univeristy.

After watching the video, I concluded that the University and videographers had decided to present important dicoveries made by University faculty, which are contributing to the social, technological and financial progress of mankind. The approach is certainly meritorious, and as the corporate video describes the list of advances, one can appreciate that many of these contributions are exciting cutting edge scientific developments. The discoveries presented include computerized monitoring of the eye movements of a driver to look for evidence he is too tired to drive and a computerized robot with the capability of detecting even minute smells.

Having plotted out the content of the corporate video the university and videographers next had to decide how they wanted to organize their material. The videographers and or University decided on a video format, which somewhat resembles the song Imagine by Beetle John Lennon. In Imagine, the late John Lennon presented his ideas as a series of parallel sentences each starting with the word imagine. The song was set to softe melodious music composed by Lennon.

The UKM corporate video, they presents a series of questions and responses about the future set to a soft slow playing background. For example, the first caption starts with a question, “What if a computer could see what your eyes cannot?” Another caption responds: “Driver drowsiness detection system developed by the faculty of engineering.” Question: “What if we could invent a machine with a sense of smell? Response: “The optical e-nose detects smells up to a millionth of a micron.”

The entire 9 minute video consists of additional segments organized just like these, up until the very end. In the background we watch imagery related to the discovery begin touted, and or the people who developed it. In the final segment, the video poses a series of questions without answers. Who is driving the nation forward with a strong sense of national identity?” “Who has the will to advance humanity? Finally, “What if it is a National University? Then the video flashes the name University of Kibangsaan Malaysia.

I wouldn’t call this a boring video, because the question answer format does generate amazement about the achievements. The wording of the questions focuses on the remarkable aspect of each discovery. However, with respect to the visual presentation I do believe the video missed presenting enough clips of the discoveries in action and therefore may not have reached to the level of excitement it could have.

To illustrate my point, the video starts by posing the question “What if a computer created by man could see things your human eye can’t see?” The question makes you think and then the next caption introduces the driver drowsiness detection system. The question and response arouses interest. However, the video fails to show a depiction of the produc being used in real life. A visual presentation of a driver driving down the road at night and almost falling asleep and being aroused by the computer and then pulling over, would have, in my opinion, added more excitement. This type of vidual segment would have been comparable to contemporary videos of androids, which feature the androids performing a variety of feats on screen and talking to people. The question and answer format wins for consistency, yet by the end everyone knows what to expect, and so it loses some effectiveness. Furthermore, after a while viewers probably would like to know the name of the university presenting this research. While this might make some of the watchers stay to the end, it could also cause some of them to lose focus on each individual discovery. Finally, the one short appearance of the name of the University, which is the subject of the video is probably not enough to create powerful image branding. I would recommend that the name should have come out at the beginning, so viewers can associate all the advancements with the University.

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Malaysia Airlines: 2005 Corporate Video

What do people want to see when they look at an airline carrier corporate video . They want to see images of a clean modern up to date airline carrier They want to see images of sleek attractive airports and planes gliding effortlessly through the air. They want to know about awards the airlines has won, their record of safety. And they want to hear about the cities and countries serviced by the airlines. The Malaysia Airlines Corporate Video does this, and more.

The video begins by informing us that the Royal Malayan Airlines has been in existence for more than 50 years, experience as well as character, aligned with royalty. It changed to become the official carrier of the newly proclaimed state of Malaysia. We are assured to hear this is the finest airlines in Malaysia.

Then the video begins to provide important corporate images. The airlines transitioned from a regional airline to an international airline, it is international, it has one of the largest fleets in Asia and it is a premier world carrier. Lest we worry that conditions in Malaysia might be a bit primitive, we are informed that the home airport base, KL International airport is one of the largest and most complex international airports in the world. This statement is backed up by clips of the airport, and the sophisticated subway system, which takes passengers to the nearby modern city Kuala Lumpur.

The video then presents a list of impressive awards the airlines has won: best signature dish, finest airport lounge, best airline staff in the world for four years. Having convinced us that the airline is up to date reliable and reputable, we now are presented with images of the plush comfortable interior, current and future airplane upgrades, and the redesigned cabin, along with seats that recline into a bed.

Next the safety and security of the airline is stressed and we learn of a recent Boeing pride of excellence award, the airlines won. The video also presents the Maskargo, division of the air carrier, which provides award winning air shipping service.

The video closes with a message that the airline continue to lives up to its standard of providing more then mere expectation. A series of on screen testimonials by satisfied passengers closes the video.

The task of a corporate video about an airline from a third world country is to convince viewers that their airline is reliable, up to date and even more has all the features of any of the world’s great airlines. This the video does admirably. From the start which emphasizes the political stability of the country as well as the continuance of the airline despite a recent change form Monarchy to democracy, to the middle, which presents the airline corcorporation as a modern up to date air carrier, to the awards and testimonials, the video presents all the material necessary to convince viewers that it is a totally first class world airlines. The narration is backed up by quality clips of the airplane in action, its modern interior, the modern airport, the efficient crew, and even the origin of the planes from Boeing, a respected international supplier of the highest quality aircraft.

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